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Mathieu Lespagnandelle (1616-1689)

This sculptor, who was from a Protestant background and who worked for the king, was torn between his own inherited beliefs and Catholicism – a personal conflict which was typical of the troubled times in which he lived.

From one faith to another

Lespagnandelle, the Phlegmatic, in the park of the château de Versailles © O. d'Haussonville

Mathieu Lespagnandelle was born in Paris in 1616 – his family was Protestant.

On 2nd September, 1641, while working in Richelieu, he renounced his Protestantism in order to marry Perrine Prou, a Catholic ; his eldest child was baptised into the same faith as its mother. However, in 1648, when he was in Paris, his son Mathieu and his three other children were baptised as Protestants. Then Mathieu Lespagnandelle returned to his original faith, the Reformed Church. He was friendly with the Marot family, in particular with Jean – in fact Mathieu Lespagnandelle’s youngest daughter married one of his sons. But another of his daughters, Judith, married a Catholic.

Lespagnandelle had a brilliant career ; he worked in Vaux-le-Vicomte, the Louvre and Versailles. Several of his works can still be seen today, for example one of his grottos is in the park of Vaux-le-Vicomte and another in the park at Versailles. In 1651 he was admitted to the Academy of Saint-Luc and in 1665, to the Royal Academy of Painting and Sculpture.

On 10th October 1681, a royal edict forced the Protestants to give up their posts in the Academy ; among these were Samuel Bernard, Henri Testelin, Louis Ferdinand and Jean Michelin. Although Mathieu Lespagnandelle was not present on that day, together with Ferdinand’s son and Jacques Rousseau, he was forced to give up his post on the king’s orders. But after having recanted a second time, on 19thOctober 1685, he was able to take up his post again on 1st December 1685.

He died on 28th April 1689 and was buried in Saint-Etienne-du-Mont.

Bibliography

  • Books
    • MONTAIGLON Anatole de, PV de l’Académie Royale de peinture et de sculpture (1648-1792), publiés pour la Société de l'Histoire de l'Art Français d'après les registres originaux conservés à l'Ecole des Beaux-Arts
    • SOUCHAL François, French Sculptors of the 17th and 18th centuries. The reign of Louis XIV. Illustrated catalogue, Cassirer, London, 1977-1987, Volume 3

Associated notes

Le Christ guérissant les aveugles, d'Isaac Moillon (Hôtel-Dieu de Beaune)

Isaac Moillon (1614-1673)

Isaac Moillon belonged to a large family of Protestant painters in Paris – they worked in Saint-Germain-des-Prés.
Louis XIV, par Samuel Bernard (2)

Samuel Bernard (1615-1687)

Samuel Bernard came from a Reformed Church family and was a key member of the group of Protestant artists who contributed so much to the XVIIth century. He recanted after...
Pierre Jurieu (2)

Pierre Jurieu (1637-1713)

Pierre Jurieu was a pastor of the “refuge” and defended the rights of the people in the kingdom of Louis XIV.
Louis Testelin, Flagellation de saint Paul et de Silas, 1655

Louis Testelin (1615-1655)

At the time Louis Testelin was an artist, belonging to the Reformed Church did not prevent one from having a brilliant career.
Louise Moillon, La marchande de fruits et de légumes

Louise Moillon (1610-1696)

Louise Moillon was from a Protestant family and became one of the most well known still life painters of her time. Sadly, her old age was darkened by the Revocation...
Pierre Bayle, copie du tableau de Louis Ferdinand Elle

Pierre Bayle (1647-1706)

Pierre Bayle can be seen as a forerunner of the Age of Enlightenment because the concept of tolerance was of great importance to him and, a true scholar, he specialized...